march / april
39:2— mar/apr 2026
The Minstrel of Millennial Narcissism
Taylor Swift & the Subversion of Musical Arts by R. V. Young
conference videos (see all)
from the archives on philosophy (76 articles)
from the archives on culture (301 articles)
current columns
From Heavenly Harmony
on classical music
38.1 — Jan/Feb 2025
37.6 — Nov/Dec 2024
37.5 — Sept/Oct 2024
As It Is Written . . .
on the bible and theology
39.2 — Mar/Apr 2026
39.1 — Jan/Feb 2026
38.6 — Nov/Dec 2025
past columns
Book Returns
Touchstone looks back at recent "classics"
(2005-2009)
22.3 — April 2009
Neil Postman's Amusing Ourselves to Death: Public Discourse in the Age of Show Business
19.1 — January/February 2006
19.3 — April 2006
The Leading Edge
on intelligent design & culture
(2001–2013)
18.8 — October 2005
21.6 — July/August 2008
20.10 — December 2007
Contours of Culture
on books & the spirit of the age
(2009-2014)
23.1 — January/February 2010
24.2 — March/April 2011
Colin Gunton's Enlightenment and Alienation: An Essay Towards a Trinitarian Theology
26.4 — July/August 2013
Colin Gunton's The One, the Three and the Many: God, Creation and the Culture of Modernity
The Matter at Hand
on events of the day
(2002–2005)
16.3 — April 2003
15.10 — December 2002
16.5 — June 2003
Practical Christianity
pondering the Christian life
(1993–2004)
17.2 — March 2004
10.4 — Fall 1997
17.1 — January/February 2004
book reviews
38.4 — Jul/Aug, 2025
Art & Human Ends
Beauty and Imitation: A Philosophical Reflection on the Arts by Daniel McInerny
A review by Louise McCray
38.3 — May/Jun, 2025
Down But Not Out
Stumbling Toward Utopia: How the 1960s Turned into a National Nightmare and How We Can Revive the American Dream by Timothy S. Goeglein
A review by Allan C. Carlson
38.1 — Jan/Feb, 2025
Butler’s Lies
Who’s Afraid of Gender? by Judith Butler
A review by Alexander T. Riley
38.6 — Nov/Dec, 2025
The Sexual Reformation
A Forceful and Fruitful Verse: Genesis 1:28 in Luther’s Thought and Its Place in the Wittenberg Reformation (1521–1531) by Brandt C. Klawitter
A review by Allan C. Carlson
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