A Threefold Cord

That the Christian faith is always fresh and new is both a wonder to consider and a necessity in the life and the history of man. We should not weep because the times are bad, but rather because men are bad, and we are men. Yet the door to a world reborn has been thrown open to us, and though in each age the approach to that door may seem different, sometimes strewn with roses, sometimes with thorns, now thronged with gentle guides to lead us astray, then with laborious saints to urge us to our salvation, the door is the same, because Christ is the same.

Turn with me, then, to Paris in 1468. The French royal family have mostly rid themselves of threats and territorial claims from their cousins in England, but the land has suffered from outbreaks of war, war from England and from within, for more than a hundred years, and it was a depleted and exhausted population that the plague had settled down among, with varying degrees of virulence from year to year. The mood of many of the rabble in that city cannot have been far from what the peddler, brawler, frequenter of whorehouses, and poet François Villon expressed when he sang the refrain to his most famous song, “Mais ou sont les neiges d’antan?”—“Where are the snows of yesteryear?”

But among the prostitutes and thieves, and the lords and ladies of the royal court, and tradesmen and grocers and porters and footmen, there went a Franciscan friar, Jean Tisserand, preaching from one church to another for a month at a time, about whose sermons it was said that not the hardest of heart could resist them. Under Tisserand’s direction, two hundred young women repented of their ways and formed a new order, the Filles Rendues—the daughters, we may say, who have surrendered themselves to God.

Swift & Powerful

THIS ARTICLE ONLY AVAILABLE TO SUBSCRIBERS.
FOR QUICK ACCESS:


Anthony Esolen is Distinguished Professor of Humanities at Thales College and the author of over 30 books, including Real Music: A Guide to the Timeless Hymns of the Church (Tan, with a CD), Out of the Ashes: Rebuilding American Culture (Regnery), and The Hundredfold: Songs for the Lord (Ignatius). He has also translated Dante’s Divine Comedy (Random House) and, with his wife Debra, publishes the web magazine Word and Song (anthonyesolen.substack.com). He is a senior editor of Touchstone.

A Journal of Mere Christianity—Delivered to Your Door

  • Essays on theology, culture, and the Church
  • Contributors from across the Christian traditions
Subscribe (Print + Online)

Six print issues (one year) of Touchstone, plus full online access and PDF downloads for only $39.95.

Subscribe (Online Only)

Get a one-year full-access subscription to the Touchstone online archives for only $19.95.


bulk subscriptions

Order Touchstone subscriptions in bulk and save $10 per sub! Each subscription includes 6 issues of Touchstone plus full online access to touchstonemag.com—including archives, videos, and pdf downloads of recent issues for only $29.95 each! Great for churches or study groups.

Transactions will be processed on a secure server.


more from the online archives

22.6—July/August 2009

Unhappy Fault

on the Integration of Anger into the Virtuous Life by Leon J. Podles

19.10—December 2006

Enchanting Children

Training Up a Child Requires a Well-Formed Imagination by David Mills

25.3—May/Jun 2012

The Soul of Liberty

Calls for Freedom, Democracy & Secularism End Up with None of the Above by Hunter Baker

calling all readers

Please Donate

"There are magazines worth reading but few worth saving . . . Touchstone is just such a magazine."
—Alice von Hildebrand

"Here we do not concede one square millimeter of territory to falsehood, folly, contemporary sentimentality, or fashion. We speak the truth, and let God be our judge. . . . Touchstone is the one committedly Christian conservative journal."
—Anthony Esolen, Touchstone senior editor

Support Touchstone

00