march / april
39:2— mar/apr 2026
Progress & the Pursuit of Unhappiness by J. Douglas Johnson
39:2— mar/apr 2026
The Minstrel of Millennial Narcissism
Taylor Swift & the Subversion of Musical Arts by R. V. Young
conference videos (see all)
from the archives on philosophy (76 articles)
32.6—November/December 2019
An Open Letter to Christian Readers of Jordan Peterson & Roger Scruton by James Bryson
from the archives on culture (301 articles)
32.6—November/December 2019
Historical Truth, Beguiling Stories & Three Kinds of Hearers by Anthony Esolen
current columns
From Heavenly Harmony
on classical music
38.1 — Jan/Feb 2025
37.6 — Nov/Dec 2024
37.5 — Sept/Oct 2024
on works of Christian art
39.2 — Mar/Apr 2026
39.1 — Jan/Feb 2026
38.6 — Nov/Dec 2025
on books for children
39.1 — Jan/Feb 2026
38.5 — Sept/Oct 2025
38.3 — May/Jun 2025
As It Is Written . . .
on the bible and theology
39.2 — Mar/Apr 2026
39.1 — Jan/Feb 2026
38.6 — Nov/Dec 2025
past columns
Book Returns
Touchstone looks back at recent "classics"
(2005-2009)
19.1 — January/February 2006
19.7 — September 2006
The Leading Edge
on intelligent design & culture
(2001–2013)
18.6 — Nov/Dec 2005
17.10 — December 2004
16.6 — July/August 2003
Contours of Culture
on books & the spirit of the age
(2009-2014)
23.5 — September/October 2010
26.1 — Jan/Feb 2013
24.5 — Sept/Oct 2011
The Matter at Hand
on events of the day
(2002–2005)
16.3 — April 2003
15.5 — June 2002
17.7 — September 2004
Practical Christianity
pondering the Christian life
(1993–2004)
15.6 — July/August 2002
11.4 — July/August 1998
13.6 — July/August 2000
book reviews
38.2 — Mar/Apr, 2025
Our One Faith
Light from Light: A Theological Reflection on the Nicene Creed by Robert Barron
A review by Mike Schramm
38.1 — Jan/Feb, 2025
Butler’s Lies
Who’s Afraid of Gender? by Judith Butler
A review by Alexander T. Riley
38.1 — Jan/Feb, 2025
Divinely Detailed
All Things Are Full of Gods by David Bentley Hart
A review by Charles Carman
38.4 — Jul/Aug, 2025
Art & Human Ends
Beauty and Imitation: A Philosophical Reflection on the Arts by Daniel McInerny
A review by Louise McCray
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