Our Suffering, Our Solace
Dante's Way of Boundless Love
This year marks the seventh centenary of the death, in 1321, of the poet Dante Alighieri, who completed the final canticle of his Commedia shortly before he died. It has since been a commonplace, in certain Catholic circles, to say that the hereafter is not as Dante imagined it, as if the poet ever meant to give us a photographic tour rather than the greatest epic of love ever written—of love betrayed, love revived and heartened, and love fulfilled. We have much to learn from him, especially, I think, in his treatment of that realm whose very existence many Christians doubt, while not necessarily doubting its purpose or its action.
I speak of Purgatory. We say that human beings should love—but we hardly know how; our hearts beat feebly, and the sinews of our souls are not used to exercise. Purgatory, as Dante sees it, is where, or we might say how, souls learn to suffer, and thus to love.
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Anthony Esolen is the author of over thirty books, including Real Music: A Guide to the Timeless Hymns of the Church (Tan, with a CD), Out of the Ashes: Rebuilding American Culture (Regnery), and The Hundredfold: Songs for the Lord (Ignatius). He has also translated Dante’s Divine Comedy (Random House). He and his wife Debra publish a web magazine, Word and Song (anthonyesolen.substack.com), on poetry, hymnody, language, classic films, and music. He is a senior editor of Touchstone.
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more on literature from the online archives
20.6—July/August 2007
The Beowulf Poet Was a Shrewd Christian Apologist by Douglas Wilson
32.2—March/April 2019
Misguided Mercy & Dante's Infernal Purgation by Joshua Hren
more from the online archives
32.1—January/February 2019
Divine Love & the Love of Man & Woman Surpass Mere Consent by Anthony Esolen
32.2—March/April 2019
Finding Him Again Through the Patriarchal Group by Anthony Esolen
15.6—July/August 2002
Things Hidden Since the Beginning of the World
The Shape of Divine Providence & Human History by James Hitchcock
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