by Mary Elizabeth Podles
This is no conventional Annunciation, with a winged, white-nightied angel and richly robed, serene Madonna. Instead, Henry Ossawa Tanner (1859–1937) gives us a frowning, barefoot Middle Eastern teenager and a shaft of brilliant light, a startling innovation but an image no less profound than any traditional version of the same subject. A most unusual composition, it was brought about by an extraordinary confluence of events and persons.
Of central interest is the painter, Henry O . . .
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more on art from the online archives
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