A Thousand Words
Henry Ossawa Tanner's Annunciation
by Mary Elizabeth Podles
This is no conventional Annunciation, with a winged, white-nightied angel and richly robed, serene Madonna. Instead, Henry Ossawa Tanner (1859–1937) gives us a frowning, barefoot Middle Eastern teenager and a shaft of brilliant light, a startling innovation but an image no less profound than any traditional version of the same subject. A most unusual composition, it was brought about by an extraordinary confluence of events and persons.
The Artist
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Mary Elizabeth Podles is the retired curator of Renaissance and Baroque art at the Walters Art Museum in Baltimore, Maryland. She and her husband Leon, a Touchstone senior editor, have six children and live in Baltimore, Maryland.
more on art from the online archives
32.4—July/August 2019
on Single-Mindedness in Durer's Ritter, Tod, und Teufel by Anthony Costello
33.2—March/April 2020
An Architectural Sign of Mere Christianity by Michael Ward
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more from the online archives
32.6—November/December 2019
Historical Truth, Beguiling Stories & Three Kinds of Hearers by Anthony Esolen
