A Thousand Words
The School of Athens
Mary Elizabeth Podles on Christian Art
By the time he finished the Disputa in 1509, Raphael had already begun work on the opposite wall of the papal library. Facing off against the Disputa's Trinitarian theology was its humanist counterpart, Classical philosophy, the fresco generally known as The School of Athens. The young artist's compositional skill has grown. This wall is even more populous and complicated, yet just as coherent a whole as the Disputa, if only we can find the key to reading it.
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Mary Elizabeth Podles is the retired curator of Renaissance and Baroque art at the Walters Art Museum in Baltimore, Maryland. She and her husband Leon, a Touchstone senior editor, have six children and live in Baltimore, Maryland.
more on art from the online archives
33.2—March/April 2020
An Architectural Sign of Mere Christianity by Michael Ward
32.4—July/August 2019
on Single-Mindedness in Durer's Ritter, Tod, und Teufel by Anthony Costello
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