Hiding Foul Things with Garments of Legal Fictions by Joshua Hren
Gustave Doré's drawing of Dante's illicit lovers Paolo and Francesca presents us with an eternal inversion of their earthbound, extramarital Eros. For though the two lovers are enclosed in sheets, their infernal consummation is not cloaked: we see the nakedness of their affair, rather than the covers which could lend modesty to their misdeeds. In The Revenge of Conscience, J. Budziszewski notes that "because we can't not know that sex belongs with marriage, when we separate them we cover our guilty knowledge w . . .
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