From Heavenly Harmony

With a Merry Noise

As a teenager, singing tenor in the chapel choir at Winchester College in the 1960s, Peter Phillips experienced a eureka moment that established the trajectory of his whole life. He and his fellow students were learning to sing "O clap your hands," an a cappella anthem for two choirs (with eight vocal parts) by Orlando Gibbons (1583–1625). "That was when I got it," Phillips told me not long ago in an interview. "That was when I fell in love with the style."

The style in question is the style of Renaissance choral music, specifically the intertwining of multiple vocal lines to create a harmonic . . .

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Ken Myers is the host and producer of the Mars Hill Audio Journal. Formerly an arts editor with National Public Radio, he also served as editor of Eternity, the Evangelical monthly magazine, and This World, the quarterly predecessor to First Things. He also serves as music director at All Saints Anglican Church in Ivy, Virginia. He is a contributing editor for Touchstone.

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more on music from the online archives

33.3—May/June 2020

Consolation in Death

Bach's Cantata BWV 106, Gottes Zeit ist die allerbesteZeit (God's time is the very best time) by Ken Myers

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