A Divine Gift of the Muses
The Great Epics Are Theological & Mark the Hard Path to Beatitude
Some years ago I got into a rather tense conversation with a couple of students in the office of the English department. We were talking about The Lord of the Rings, and I remarked that nothing like it could be written now, because our culture—for want of a better word, I must use the word "culture" to describe our mass habits, after the reality of culture has withered away—no longer possesses a vision of the world and of man that would sustain such a work. Tolkien himself could write his trilogy only because he was something of an anachronism, as he was steeped in the medieval epics—the sagas of Snorri Sturluson, the Finnish Kalevala, the Nibelungenlied, Beowulf, and so forth—and was a devout Catholic, seeing all things by the light of revelation and three thousand years of meditation upon the ways of God to man.
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Anthony Esolen is a professor at Magdalen College of the Liberal Arts in Warner, New Hampshire, and the author of many books, including Real Music: A Guide to the Timeless Hymns of the Church (Tan, with a CD), Out of the Ashes: Rebuilding American Culture (Regnery), and The Hundredfold: Songs for the Lord (Ignatius). He has also translated Dante’s Divine Comedy (Random House). He and his wife Debra publish a web magazine, Word and Song (anthonyesolen.substack.com), on poetry, hymnody, language, classic films, and music. He is a senior editor of Touchstone.
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