From the June, 2008 issue of *Touchstone*

The Choirmaster by Patrick Henry Reardon

The Choirmaster

I wonder how many Christians would include the name “Asaph” in their answer to the query, “What authors, over the years, have most influenced your life of prayer?” In fact, however, Asaph’s contribution to the prayer life of believers has been immense for a very long time. By my rough calculation, for instance, an average monk, if he has lived in his monastery fifty years, has prayed prayers composed by Asaph somewhere in the neighborhood of 30,000 times. Curiously, that figure multiplies by nearly ten the number of years that have elapsed since the death of Asaph.

Now, to gain some estimate of Asaph’s importance in the history of prayer, multiply that larger number—30,000—by the hundreds of thousands of believers—Jews and Christians—who have prayed the Book of Psalms regularly during the past three millennia. Asaph wrote twelve of those psalms.

Teacher & Seer

It seems to me that Asaph’s importance in the history of worship is threefold.

First, there was the immense responsibility he assumed when David appointed him to be the choirmaster in the tabernacle after its arrival in Jerusalem early in the tenth century before Christ. This Levite took charge of David’s efforts to regulate and beautify the renewal of Israel’s worship during the half-century prior to Solomon’s construction of the Temple.

Although Moses himself had left impressive examples of psalmody (Exodus 15:1–18; Deuteronomy 32—33; Psalm 90 [Greek 89]), it is David who is chiefly credited with placing a special emphasis on music in Israel’s worship. Indeed, much of the Book of Psalms is ascribed to David personally.

Whatever his preference for things liturgical, however, the king had many other responsibilities. When Asaph the Levite came to his attention, David was happy to entrust him with the musical expression and adornment of Israel’s corporate worship.

Asaph’s ministry was more than a matter of musical and pedagogical skill. It was recognized to have a certain prophetic quality that justified the expression, “Asaph the Seer” (2 Chronicles 29:30).

Second, Asaph trained a whole generation of singers and other musicians who would carry on that tradition when Solomon constructed the Temple just a few decades later. Many of those singers were Asaph’s own sons and grandsons.

This musical heritage endured for many centuries, and the later liturgical renewals associated with Hezekiah and Josiah took their inspiration and direction from the traditions handed down in the house of Asaph. And when the Jews returned from Babylon in the sixth century, the music of their new Temple was once again entrusted to “the sons of Asaph,” that guild of singers and musicians who took their guidance and inspiration from David’s famous Levite.

Because of the prominence given to this ministry in the Books of Chronicles, I find very attractive the hypothesis that the Chronicler was a member of this Asaphite guild. Indeed, it is difficult to see how an outsider would have had access to the unusual amount of family history evidently at the disposition of the Chronicler.

Patrick Henry Reardon is pastor emeritus of All Saints Antiochian Orthodox Church in Chicago, Illinois, and the author of numerous books, including, most recently, Out of Step with God: Orthodox Christian Reflections on the Book of Numbers (Ancient Faith Publishing, 2019).

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