march / april
39:2— mar/apr 2026
The Minstrel of Millennial Narcissism
Taylor Swift & the Subversion of Musical Arts by R. V. Young
conference videos (see all)
from the archives on philosophy (76 articles)
from the archives on culture (301 articles)
current columns
From Heavenly Harmony
on classical music
38.1 — Jan/Feb 2025
37.6 — Nov/Dec 2024
37.5 — Sept/Oct 2024
As It Is Written . . .
on the bible and theology
39.2 — Mar/Apr 2026
39.1 — Jan/Feb 2026
38.6 — Nov/Dec 2025
past columns
Book Returns
Touchstone looks back at recent "classics"
(2005-2009)
38.2 — Mar/Apr 2025
22.3 — April 2009
Neil Postman's Amusing Ourselves to Death: Public Discourse in the Age of Show Business
18.10 — December 2005
The Leading Edge
on intelligent design & culture
(2001–2013)
17.10 — December 2004
20.8 — October 2007
18.6 — Nov/Dec 2005
Contours of Culture
on books & the spirit of the age
(2009-2014)
24.6 — Nov/Dec 2011
A. J. Conyers's The Long Truce: How Toleration Made the World Safe for Power and Profit
23.4 — July/August 2010
Nathan O. Hatch's The Democratization of American Christianity
25.4 — July/August 2012
The Matter at Hand
on events of the day
(2002–2005)
15.5 — June 2002
16.4 — May 2003
15.3 — April 2002
Practical Christianity
pondering the Christian life
(1993–2004)
16.4 — May 2003
14.5 — June 2001
14.9 — November 2001
Interviews
Touchstone interviews with persons of interest
14.4 — May 2001
Archbishop Janis Vanags on Finding & Keeping the Faith in Post-Soviet Latvia
book reviews
38.1 — Jan/Feb, 2025
Butler’s Lies
Who’s Afraid of Gender? by Judith Butler
A review by Alexander T. Riley
38.2 — Mar/Apr, 2025
Closing Argument
What Is Christianity? The Last Writings of Benedict XVI
A review by John R. Stephenson
38.6 — Nov/Dec, 2025
The Sexual Reformation
A Forceful and Fruitful Verse: Genesis 1:28 in Luther’s Thought and Its Place in the Wittenberg Reformation (1521–1531) by Brandt C. Klawitter
A review by Allan C. Carlson
38.2 — Mar/Apr, 2025
Our One Faith
Light from Light: A Theological Reflection on the Nicene Creed by Robert Barron
A review by Mike Schramm
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