From the July/August, 2013 issue of Touchstone
Jan van Eyck's The Madonna in a Church by Mary Elizabeth Podles

A THOUSAND WORDS by Mary Elizabeth Podles

Jan van Eyck's The Madonna in a Church

We are so accustomed to oil paintings that we seldom give the medium a second thought: it is essentially our default position for Old Master and fine art painting. But it was not always so. The sixteenth-century chronicler and art historian Giorgio Vasari credits Jan van Eyck with the invention of oil painting in the fifteenth century; while this is not strictly true, Van Eyck's mastery of the oil technique probably made Italian painters aware of its range of possibilities for the first time. It is worth a look.

In early Italian and Byzantine painting, the color . . .


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