Injunction to Joy

Mention of Baroque “cantatas” or “oratorios” around the seasons of Advent and Christmas is most likely to evoke thoughts of the music of Bach or Handel. Unfortunately, the seasonal works by their less-celebrated contemporary Georg Philipp Telemann (1681–1767) are almost unknown, even among avid listeners to music from the early eighteenth century. Most of the music by Telemann that is played and heard today is from his large catalog of secular, instrumental music. But in his day, he was known best for his sacred choral compositions.

The son and grandson of Lutheran pastors, Telemann demonstrated early musical talent, composing his first opera at the age of 12. His mother was apparently set against his pursuing a career in music; she is said to have confiscated his violin, flute, and zither and forbade him to compose anymore, fearing that a life in music would only lead him in the ways of the ungodly. Encouraged, however, by various teachers to develop his talents, throughout his teens he enthusiastically performed and composed for church and school events.

At the age of 20 (perhaps in deference to his mother) he set off to study law at Leipzig University, stopping on the way in Halle to meet a talented teenager named Handel. After Telemann settled in at the university, a roommate spotted a musical setting of Psalm 6 among his belongings, and arranged for it to be sung at the Thomaskirche (where Bach would later enjoy the most fruitful years of his career). The mayor of Leipzig heard Telemann’s composition and was so impressed that he commissioned him to compose music fortnightly for use in the city’s churches. Studies in law were soon abandoned.

THIS ARTICLE ONLY AVAILABLE TO SUBSCRIBERS.
FOR QUICK ACCESS:


Ken Myers is the host and producer of the Mars Hill Audio Journal. Formerly an arts editor with National Public Radio, he also served as editor of Eternity, the Evangelical monthly magazine, and This World, the quarterly predecessor to First Things. He also serves as music director at All Saints Anglican Church in Ivy, Virginia. He is a contributing editor for Touchstone.

Print &
Online Subscription

Get six issues (one year) of Touchstone PLUS full online access including pdf downloads for only $39.95. That's only $3.34 per month!

Online
Subscription

Get a one-year full-access subscription to the Touchstone online archives for only $19.95. That's only $1.66 per month!

bulk subscriptions

Order Touchstone subscriptions in bulk and save $10 per sub! Each subscription includes 6 issues of Touchstone plus full online access to touchstonemag.com—including archives, videos, and pdf downloads of recent issues for only $29.95 each! Great for churches or study groups.

Transactions will be processed on a secure server.


more on music from the online archives

33.3—May/June 2020

Consolation in Death

Bach's Cantata BWV 106, Gottes Zeit ist die allerbesteZeit (God's time is the very best time) by Ken Myers


more from the online archives

33.4—July/August 2020

Dwelling in Unity

Our Views on the President Are Not Crucial by S. M. Hutchens

21.8—October 2008

Weed Free

on Tending a Child’s Garden of Influences by John Thompson

17.4—May 2004

Supremely Modern Liberals

The Unhappy & Abusive Marriage of Liberalism & Modernism by James Hitchcock

calling all readers

Please Donate

"There are magazines worth reading but few worth saving . . . Touchstone is just such a magazine."
—Alice von Hildebrand

"Here we do not concede one square millimeter of territory to falsehood, folly, contemporary sentimentality, or fashion. We speak the truth, and let God be our judge. . . . Touchstone is the one committedly Christian conservative journal."
—Anthony Esolen, Touchstone senior editor

Support Touchstone

00