Feature

Scandals, Sandals & Biblical Epics

The Dramatic Life, Faith & Films of Cecil B. DeMille

In case you haven't noticed, Tinseltown is turning out biblical films on a scale not seen since the 1950s. With the showings of Noah, Heaven Is for Real, Son of God, God's Not Dead, Left Behind, Exodus, and Mary, Mother of Christ, 2014 has been called the "year of the biblical movie." It is a genre and trend traceable to the cinematic influence of Cecil B. DeMille.

Box office hits like Quo Vadis (1951), The Robe (1953), and Ben-Hur (1959) made the fifties a golden era for the biblical epic. But it was DeMille's Samson and Delilah, the number-one moneymaking movie of . . .

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Regis Nicoll is a retired nuclear engineer and physicist who is a Colson Center Fellow and Christian commentator. He currently writes for BreakPoint, Crosswalk, and Salvo magazine, and serves as the lay pastor of an Anglican church plant in Chattanooga (www.hamiltonaf.org).

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