Pauline Scholar, Meet Homeric Scholar by Anthony Esolen

Feature

Pauline Scholar, Meet Homeric Scholar

How Textual Analysis Misses Authorial Genius & Literary Inspiration
by Anthony Esolen

I've lately been reading the New Testament at an excruciatingly slow pace: Y traethawd cyntaf a wneuthm, O Theophilus, am yr holl bethau a ddechreuodd yr Iesu eu gwneuthur a'u dysgu, hyd y dydd y derbiniwyd ef i fynu, wedi iddo trwy y Yspryd Glan roddi gorchymynion i'r apostolion a etholosai (Acts 1:1–2).

That's the Welsh translation contemporaneous with our King James Version. I can't yet read Welsh fluently, so that although I "know" what the words mean, I have to reacquire the knowledge piecemeal, puzzling out word by word what the translator was puzzling out, word by word, from the Greek.

The experience has highlighted for me a few truths about the composition and the reading of these texts that we might miss, we who have word processors and books that are friendly to the eye. Books in the ancient world were far more difficult to write and to read. Things we take for granted, such as clear spaces between words, did not exist.

When Augustine called on Ambrose one day, he found him poring over a book in silence, and was amazed—Ambrose suffered from hoarseness and needed to spare his voice, so he took to reading without sounding out the words. Augustine had never seen anyone do that. For the voice assisted the eye in solving the puzzle of letters and words running into one another.

Writing, too, was laborious, even strenuous, so people used secretaries. Internal evidence shows that St. Paul did not "write" the Letter to the Romans, but dictated it to one Tertius, who reveals himself in a greeting (Rom. 16:22). With the cosmopolitan Paul, fluent in Greek, that wasn't going to matter much, but someone whose Greek was wobbly might have his words partly filtered through the syntax of a secretary.

Along with how something is written, the what comes into play, among people who relied upon memory and mnemonic devices. The poems of Homer include metrical tags—Menelaus of the great war-whoop, Agamemnon the lord of men—and detachable passages inherited from many generations past, from the memory of singers. Beowulf is similar; we have material that's centuries old, and words no longer in use when the composer, a Christian monk, wove everything together (and at enormous expense: a hundred sheep for the parchment).

Judgment & Retreat

For a long time, many scholars insisted that Homer's poems were not the work of one man. Others said the same about Beowulf. The dramatic passages—Beowulf bidding farewell to his thanes as he dives into the mere, to seek the lair of Ma Grendel—were too starkly different from the compressed, impersonal account of the Battle at Finnsburh. Ezra Pound grouched that monks had snapped up such splendid "pagan" poems as The Wanderer and The Seafarer and appended lame homilies to them. Others divined two authors of the magnificent Dream of the Rood, whose first half is chock-full of hypermetric lines, muscular and bold, as when the Cross tells of how Jesus came to Calvary:

Then the young Hero ungirt himself; / that was God almighty—
strong, stiff-willed, / and strode to the gallows,
climbed stout-hearted in the sight of many; / intended to set men free.
I trembled when the bold Warrior embraced me, / yet I dared not bend to the earth,
fall to the ground for fear; / to stand fast was my duty.

Too glorious to be the work of the same man who wrote these singsong didactic verses a hundred lines later:


Anthony Esolen is a professor and writer-in-residence at Magdalene College of the Liberal Arts in Warner, New Hampshire. His many books include Sex in the Unreal City: The Demolition of the Western Mind, Life Under Compulsion: Ten Ways to Destroy the Humanity of Your Child, Out of the Ashes: Rebuilding American Culture, and The Hundredfold: Songs for the Lord. He is a regular contributor to Chronicles, Crisis Magazine, The Claremont Review, Inside the Vatican Things, The Catholic Thing, and American Greatness. He has translated Dante's Divine Comedy. He is a Roman Catholic and lives with his wife in New Hampshire. He is a senior editor of Touchstone.

calling all readers

Please Donate

"There are magazines worth reading but few worth saving . . . Touchstone is just such a magazine."
—Alice von Hildebrand

"Here we do not concede one square millimeter of territory to falsehood, folly, contemporary sentimentality, or fashion. We speak the truth, and let God be our judge. . . . Touchstone is the one committedly Christian conservative journal."
—Anthony Esolen, Touchstone senior editor

Support Touchstone

• Not a subscriber or wish to renew your subscription? Subscribe to Touchstone today for full online access. Over 30 years of publishing!


personal subscriptions

Purchase
Online Subscription

Get a one-year full-access subscription to the Touchstone online archives including pdf downloads for only $19.95. That's only $1.66 per month!


RENEW your online subscription

Purchase Print &
Online Subscription

Get six issues (one year) of Touchstone PLUS full online access including pdf downloads for only $39.95. That's only $3.34 per month!


RENEW your print/online
subscription

gift subscriptions

GIVE Print &
Online Subscription

Give six issues (one year) of Touchstone PLUS full online access including pdf downloads for the reduced rate of $29.95. That's only $2.50 per month!


RENEW your gift subscription

Transactions will be processed on a secure server.

bulk subscriptions

Order Touchstone subscriptions in bulk and save $10 per sub! Each subscription includes 6 issues of Touchstone plus full online access to touchstonemag.com—including archives, videos, and pdf downloads of recent issues for only $29.95 each! Great for churches or study groups.

kindle subscription

OR get a subscription to Touchstone to read on your Kindle for only $1.99 per month! (This option is KINDLE ONLY and does not include either print or online.)

Your subscription goes a long way to ensure that Touchstone is able to continue its mission of publishing quality Christian articles and commentary.


more from the online archives

29.1—Jan/Feb 2016

Bargain Debasement

Secular Credibility Is a Devilish Temptation by James Hitchcock

30.2—March/April 2017

Rescuing Cervantes

on Reading Don Quixote in Its Original Christian Context by Luis Cortest

29.4—July/August 2016

The Very Idea

on Anselm's God & the Virtue of Existing  by Tara L. Jernigan

00