When None Will Follow
Authority & Obedience in Our Stories
Our American society cultivates in us a strong distaste for obeying authority. Anyone who desires evidence of this need look no further than the heroes furnished by our popular media. To compare the heroes of our modern movies or TV shows with those of traditional Western literature (Hector, Aeneas, Charlemagne, Aragorn, etc.) is to compare two radically different sets of archetypes. Each has its own distinct approach to authority and to the practice of submission, and each implicitly values a different kind of behavior in a human
being.
In traditional epics, the hero frequently has a band of men at his command. Beowulf lands on the Danish shore with fourteen armed warriors at his back; at the close of his story, he is the king of Geatland, and meets his noble end still leading a troop of his vassals against a dragon. So also in other traditional works: Aeneas musters the survivors of Troy; King Arthur rules the knights of his Round Table; Aragorn marshals the armies of
Gondor.
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Christopher Hoyt is the organist/choirmaster at Good Shepherd Church in Tyler, Texas, and teaches Sacred Music at Cranmer Theological House (Reformed Episcopal) in Dallas. He was general editor of the hymnal, The Book of Common Praise/Magnify the Lord (2017) and is a composer of hymns and other church music (hoytcomposer.com).
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more on literature from the online archives
32.2—March/April 2019
Misguided Mercy & Dante's Infernal Purgation by Joshua Hren
20.6—July/August 2007
The Beowulf Poet Was a Shrewd Christian Apologist by Douglas Wilson
more from the online archives
19.4—May 2006
The Culture War Is Between Religious Believers on Both Sides by Howard P. Kainz
32.4—July/August 2019
on Single-Mindedness in Durer's Ritter, Tod, und Teufel by Anthony Costello
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