by Mary Elizabeth Podles
Vermeer's small canvas (c. 1662–1664) depicts a woman in informal dress, morning jacket, and untied linen cap, standing at a table in the corner of a room. On the wall in front of her are a curtained window and a mirror, and on the wall behind her hangs a painting. She rests one hand on a table; the tabletop supports a rumpled cover and a jewelry box, out of which spill strings of pearls and gold. In her right hand she holds a pair of scales.
All the compositional elements of the picture direct our attention to that h . . .
This article is only available to subscribers.
Not a subscriber? Subscribe to Touchstone today for full online access. Over 30 years of content!
Get a one-year full-access subscription to the Touchstone online archives for only $19.95. That's only $1.66 per month!
Get six issues (one year) of Touchstone PLUS full online access for only $29.95. That's only $2.50 per month!
Transactions will be processed on the secure server of The Fellowship of St. James website, the publisher of Touchstone.
OR get a subscription to Touchstone to read on your Kindle for only $1.99 per month! (This option is KINDLE ONLY and does not include either print or online.)
Your subscription goes a long way to ensure that Touchstone is able to continue its mission of publishing quality Christian articles and commentary.
more on art from the online archives
more from the online archives