Old Saint Peter’s: The Constantinian Basilica

In AD   313, when Constantine proclaimed Christianity to be the official religion of the Roman Empire, it became clear that contemporary Christian churches were not adequate to imperial demands. Something new had to be built on a proper scale. But what form was it to take?

Preparing the Site

Whatever was constructed had to be set apart from the pagan temple. The public space of temple architecture was not suitable anyway: ceremonials took place on an altar outside the temple, while the populace watched from the surrounding open square. The temple interior was essentially dark and mysterious, reserved to the priests and their treasury.

There did exist a form of secular public space, the basilica, that might prove more amenable to Christian worship if certain changes were made. The basilica was a long, aisled, warehouse-like space, suitable for markets, public debate, the law courts, and other purposes. At one end, an apse, an elevated, semicircular niche topped with a half dome, was marked out for the presiding judge, the emperor’s representative, or the emperor himself.

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Mary Elizabeth Podles is the retired curator of Renaissance and Baroque art at the Walters Art Museum in Baltimore, Maryland. She is the author of A Thousand Words: Reflections on Art and Christianity (St. James Press, 2023). She and her husband Leon, a Touchstone senior editor, have six children and live in Baltimore, Maryland. She is a contributing editor for Touchstone.

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