Angels in the Upper Room
What on Earth Is Heaven? by James Paul
reviewed by Arthur W. Hunt III
The main course has been completed. Dessert is being placed on the table by the host staff, along with Earl Grey tea and French press coffee. Just outside the window looms the stately Manor House where visitors stay, and beyond that, the hills of the Hampshire countryside where Jane Austen spent the last years of her life.
"Does someone have a question today?" asks the host.
This is how conversations begin at the English L'Abri, one of the ten "shelters" scattered across the globe that remain part of the legacy of Francis and Edith Schaeffer.
A wide variety of people come to stay at the Manor House, each with his or her own background, viewpoints, and questions. To some extent, life at the English L'Abri is reminiscent of another, though fictional, manor house: St. Anne's, in C. S. Lewis's That Hideous Strength. Everyone shares in the chores. There is a routine. The Christian faith is taken very seriously.
Inevitably, a L'Abri visitor will raise a question about the nature of heaven. The persistence of the question, along with his own wrestling with the topic, is what led director James Paul to write What on Earth Is Heaven?
Paul's contemplation of this topic began when, still a new Christian, he was waiting to take off on a flight from London to Warsaw. "So, I was sitting there imagining the plane crashing, contemplating death and what comes after death, when I suddenly realized that I didn't really want to go to heaven."
The sentiment is common among some Christians. What is so exciting about spending eternity on white fluffy clouds playing a harp? The breakthrough for Paul came when he read The Last Battle in Lewis's Narnia Chronicles. What caught his attention was Lewis's line: "The term is over: the holidays have begun." The image clicked in Paul's mind because of the joy he remembered feeling as an English schoolboy when on break from school.
An Inexhaustible Richness
In the Narnia Chronicles, Lewis's description of heaven is earthy—full of trees, fields, streams, rivers, waterfalls, and sunshine. It was the Oxford don's sacramentalism that helped Paul understand that the earth is a shadow version of something more real, more solid.
Eschewing the Greek dualism that tends to pit the spiritual against the earthly, Paul's book utilizes Edwin Abbott's notion of earthly life as being a two-dimensional flatland, whereas heaven is a three-dimensional cube that exists above and beneath us so that it "adds an inexhaustible depth of richness to the things of earth."
For example, Paul notes how the resurrected Jesus' ability to move through walls was not because his body was insubstantial, but because, when compared to the weightiness of his resurrected body, the walls were insubstantial.
Arthur W. Hunt III is a former professor of public speaking at the University of Tennesse at Martin. He is now preparing to transition to ministry-related service and lives in the greater Memphis area.
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