by Ken Myers
One of the most popular works of twentieth-century sacred choral music is the Requiem by Maurice Duruflé (1902–1986). Completed in 1947 and still performed regularly in concert, Duruflé's Requiem is often linked with the earlier (and probably better known) Requiem by Gabriel Fauré, which dates to 1888. Both works are marked by a comforting, serene spirit, and both reflect the influence of French musical impressionism, which offers a harmonic vocabulary of mystery. But Duruflé's setting is distinguished by its perv . . .
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