by Ken Myers
Among musically knowledgeable listeners, even those who admire the music of the high Renaissance, the work of Orlande de Lassus is woefully unfamiliar. It was not always so. During his lifetime, in the second half of the sixteenth century, Lassus was easily the most famous composer in Europe. With contemporaries that included Palestrina, Victoria, and Byrd, such fame is a remarkable tribute to his artistic accomplishments. Another contemporary, the celebrated French poet Pierre de Ronsard, hailed Lassus as one “who like a bee has sipped all the most beautiful flowers of the ancients and moreover seems alone to have stolen the harmony of the heavens to delight us with it on earth, surpassing the ancients and making himself the unique wonder of our time . . .
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